"Enter mezzo-soprano Kelley O’Connor. Dressed in an elegant, sparkling gown that evoked the paintings of Klimt (Mahler’s contemporary in turn-of-the-century Vienna) O’Connor’s rich, dark-hued voice galvanized both the audience and the orchestra alike. Her first line is “O Man, take heed!” Everyone in the hall...
Reviews from Opera News and The Boston Musical Intelligencer...
Review from San Francisco Classical Voice and the Los Angeles Times...
Review from the Financial Times...
Reviews from The Herald and The Scotsman...
Reviews from the Texas Classical Review and The Dallas Morning News...
Review from the St. Louis Post-Dispatch....
Reviews from the San Francisco Chronicle, Mercury News, and San Francisco Classical Voice...
South China Morning Post: Hong Kong Philharmonic shines in Mahler 3’s forceful and intimate episodes under baton of Jaap van Zweden...
ArtsATL.com: Under Donald Runnicles, ASO plays splendidly on Mahler and unique Toru Takemitsu piece...